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Within a few weeks, tardy rates were sky-rocketing at schools and somehow someone put it together it was because kids wanted to stay home and watch “Power Rangers.” I feel nothing from this other than “Oh, good, this is a really big show.” Fox ordered more, and I would score-and-score-and-score and someone said it would be great if we had a song-per-episode, so now songs had to be written.
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I think Fox, from what I’d heard, had no faith in the show, so they gave it an 8:30 AM timeslot, which is the kiss of death because kids are in school. You’re gonna be the singer on it.”ĭo you recall first realizing when it was really taking off? I said “Great, who are we going to have sing it?” And they went “No, Fox went crazy over your theme. The next day they came to me and said Fox went crazy over the theme. The whole thing took two-and-a-half hours with my guide vocal, and if you listen hard to that original version, my high harmony is kind of pitchy because I had never sang on anything before. I first came up with that guitar riff, and decided I was going to go, instead of kiddie stuff that I despised since I was a kid, write this for an adult and just do a balls-to-the-wall theme. I asked if they had any suggestions, and they said they had a goldmine with the word “Go” from the “Inspector Gadget” theme 12 years prior. Fast-forward a year later, they bring in the rough-cut opening for this show Mighty Morphin Power Rangers and I remember the difficulty of going “Morphin” and not “Morphine Rangers.” One night they came in and said they needed a theme. In ’91 they brought in footage for a show they were going to call “Metalman” that I banged out a heavy-metal theme for, and that just died. I started cutting my teeth on that stuff, and at the same time he was developing ideas for bigger shows and had been hellbent on this “Power Rangers”-style show. I had been getting the chance from Saban to compose some really primitive direct-to-video that he was buying from somewhere else in the world and re-releasing with a lame score under it. How did you wind up getting the chance to compose the “Power Rangers” theme? I offered some to composers to get some notes, and they gave me a lot of direction. The studio had a lot of downtime, and in that downtime I would live and starting composing cues.
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They hired me full time to engineer and do whatever they needed. I figured I should learn about this business and get in because if I can pull $450 a night, that would change my life. I’m, at that point 30-40-thousand dollars in credit card debt and living in an absolute hellhole. A horn player blew out three one-minute cues with various endings, and when I asked him how much he made, he told me $150 each. In 1989 I was brought in to Saban for a weekend to engineer and mix for their composers who were writing cartoon cues. I played in a band and worked various temp jobs. I was in band orchestras, but I wasn’t much into reading music and was pretty much politely asked to leave by every music teacher I ever had and told I should think of another career. I started playing piano when I was three, and had my first published work at five-and-a-half (a fingering exercise), and after that through school it was pretty obvious that all I was interested in was music. Television was nothing I had even thought of. How did you get involved composing for children’s television? See also: Top 10 Douchiest Guitarists of All Time Wasserman, who now scores many projects including Hot in Cleveland, about how the theme came together, scoring with rock music and the restrictions of the increasingly politically correct world of ’90s children’s television. To commemorate this milestone, we spoke to the series’ composer Ron A. It also introduced a generation to the power of electric guitars as the show’s immortal “Go Go Power Rangers” theme has become a pop culture staple and irrefutably responsible for the baddest-assest riff in the history of children’s television. The Mighty Morphin Power Rangers Saban Entertainmentīelieve it or not, it’s now been 20 years since Mighty Morphin Power Rangers premiered, changing the way ’90s kids saw the world by combining teen drama with dinosaur robots.